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Studia Litterarum

Philological journal

A.M. Gorky Institute of World Literature
of the Russian Academy of Sciences

ISSN 2500-4247 (Print)

ISSN 2541-8564 (Online)

Povarskaya St., 25A, bld. 1, 121069 Moscow, Russia

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  • Author: Andrey V. Golubkov
  • Information about the author:

    Andrey V. Golubkov, PhD in Philology, Senior Researcher,  Andrey V. Golubkov, PhD in Philology, Senior Researcher,   A.M. Gorky Institute of World Literature of the Russian Academy of Sciences

  • Received: February 21, 2017
  • Published: June 25, 2017
  • Issue: 2017 Vol. 2, №2
  • Department: World literature
  • Pages: 104-119
  • DOI:

    https://doi.org/10.22455/2500-4247-2017-2-2-104-119

  • UDK: 821.133.1
  • BBK: 83.3(4Фра)
  • Keywords: Gamiani, or Two Nights of Excess by Alfred de Musset: Construction of Subjectivity in French “Black” Romanticism

Abstract

This essay examines Gamiani, or Two Nights of Excess, erotic novel by Alfred de Musset This essay examines Gamiani, or Two Nights of Excess, erotic novel by Alfred de Musset written at the beginning of the 1830s and widely popular in France until up to the 1920s. When writing the novel that belongs to the tradition of “black Romanticism,” de Musset was heavily drawing on the French tradition of libertinage, de Sade’s work in particular. However, he substantially revised and transformed its aesthetical and philosophical premises. The novel describing various sexual perversities of the main character, Gamiani, adheres to the aesthetical principles of Romanticism that cultivated geniality but also marginality seen as the symptom of exceptionalism. The character’s lesbian affairs may be interpreted in terms of the urge for the infinite lust, or Romantic “abyss.” These motifs became developed in Baudelaire’s The Flowers of Evil, especially in the poem “Lesbians.”

References

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