Nina D. Lyakhovskaya
Shadow of Imana: Travels in the Heart of Rwanda by Véronique Tadjo as the First Travelogue in the Francophone African Literatures
2017 Vol. 2, №4
|
Alexander B. Kudelin
The Forms of Prosaic Speech in Al-sīra by Ibn Ishāq — Ibn Hishām
2017 Vol. 2, №4
|
Vera V. Kotelevskaya
Adult and His Other: Conceptualization of the Childhood in the Austrian Modernist Fiction (On the Example of R.M. Rilke)
2017 Vol. 2, №4
|
Kirill A. Chekalov
Natalya T. Pakhsaryan
The Structure of the Fantômas Novel Series by Pierre Souvestre and Marcel Allain and the Problem of Seriality in Popular Literature
2017 Vol. 2, №4
|
Julietta L. Chavchanidze
Rahel Vaenhagen and the Culture of Her Time
2017 Vol. 2, №4
|
Eugenyia M. Butenina
Chekhov’s Ethical Heritage in the Contemporary American Medical Humanities
2017 Vol. 2, №4
|
A.V. Golubtsova
Alexander Pushkin in the 19 th Century Italian Drama
2017 Vol. 2, №3
|
V.M. Tolmatchoff
On the Symbolism of Thomas Mann
2017 Vol. 2, №3
|
E.V. Haltrin-Khalturina
Two Wooers and their Sonnets: On Poetic Forms in Romeo and Juliet
2017 Vol. 2, №3
|
M.L. Andreev
Corneille’s Heroic Comedies
2017 Vol. 2, №3
|
T.N. Krasavchenko
“And time future contained in time past”: British Modernist Poetry from T.S. Eliot to Ted Hughes
2017 Vol. 2, №3
|
MEDIEVAL THEATER AS MEDIUM: A SURVEY IN MEDIA ARCHAEOLOGY
|
AUCTORITAS: AUTEUR ET AUTORITÉ CHEZ DIDEROT ( À PROPOS DE QUELQUES ÉPIGRAPHES )
|
THE SPECIFICITY OF THE FICTIONAL SPACE IN THE NOVELS BY CRÉBILLON-FILS
|
“UNHAPPY YOUNG MAN.” A HERO-SUFFERER IN ITALIAN ROMANTIC PROSE
|
EPICUREANISM AND CHRISTIANITY IN HISTORICAL NOVELS VALERIUS. A ROMAN STORY BY J.G. LOCKHART AND THE EPICUREAN BY T. MOORE
|
NEW CONSCIOUSNESS AND NEW GENRE: A FRANCOPHONE AFRICAN NOVEL OF TRANSITIONAL TIME
|
Irina I. Burova
Zhang Zizhu
Stylistic Originality of Spenser’s Epithalamion and its Reflection in Russian and Chinese Translations
2017 Vol. 2, №2
|
THE ORLEANS EPISODE OFMADEMOISELLE DE MONTPENSIER’SMEMOIRS AND THE IDEAL OF HEROIC FEMINISM
|
THE OCTOBER GARBO: CLASSICAL HOLLYWOOD AND THE REVOLUTION
|
