AUTHOR(S), TITLE |
PAGES |
Literary theory
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Valeri I. Tiupa. Two Wings of Art Writing
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10 - 45 |
Viktor I. Shcherbakov. Nikolay Soloviev as a Criticm of Chernyshevsky’s Aesthetic Theory
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46 - 63 |
Tatiana A. Sharypina, Polina D. Kazakova. Creative Search by Richard Strauss and Hugo von Hofmannsthal in the Opera “Ariadne on Naxos”: to the Problem of Music and Words Interaction
|
64 - 81 |
World literature
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Tatiana L. Aleksandrova. The Image of Light in the “Ekphrasis of the Hagia Sophia” by Paul the Silentiary
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82 - 99 |
Marina L. Reysner. In the Search of Secret Meaning: the Role of “Inner Commentary” in Nasir-i Khusraw’s Poetic Works (11th Century)
|
100 - 125 |
Nina D. Lyakhovskaya. Specific Features of Forming French-Language Literatures of Sub-Saharan Africa as the Regional Typological Commonness
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126 - 143 |
Elena V. Trepetova. L’Orpheline de Montmartre: A Newly Discovered Novel by Very Popular in Russia Writer
|
144 - 161 |
Anastasia V. Golubtsova. The Soviet Myth of Sibilla Aleramo |
162 - 177 |
Viktoriia N. Karpukhina. National Identity and a Literary Canon in British Tradition of the 20th Century
|
178 - 197 |
Kadisha R. Nurgali, Aigerim A. Gilea. Intertextuality and Archetype Transformation as the Polysemy Basis of the Modern Reimagined Fairy Tale
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198 - 217 |
Russian Literature
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Ivan O. Volkov, Emma M. Zhilyakova. I.S. Turgenev as a Walter Scott’s Reader (On Turgenev’s Personal Library). Part 2
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218 - 237 |
Ekaterina V. Kuznetsova. Arnold Böcklin’s Pictorial Motifs in the Poetry of Russian Modernism
|
238 - 275 |
Tatjana A. Koshemchuk, Marina S. Sanarina. The Lyrical Cycle of A.A. Blok “Italian Poems”: Poetic Reception of Italy and the Culmination of the Period of “Antithesis”
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276 - 301 |
Svetlana A. Seregina. S.A. Yesenin’s Diptich about the Sound “Under the Red Elm, the Porch and the Yard...” and “Your Voice is Invisible, Like Smoke in a Hut...”: Context, Poetics, Dating
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302 - 323 |
Literature of the Peoples of Russia and Neighboring Countries
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Evgeniia V. Zimina, Mariana S. Sargsyan. Culture Codes in Children’s Literature: Voices from Scotland and Armenia
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324 - 347 |
Folklore Studies
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Tatiana M. Balmatova. Russian Chastushka (Ditties) vs Spanish Flamenco Verses: the Experience of Typological Comparison
|
348 - 363 |
Textology. Materials
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Tamara V. Kudryavtseva. „Ein Wort für junge Dichter“ by I.W. Goethe: On the History of One Interpretation
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364 - 381 |
From the History of Literary Studies
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Pavel S. Glushakov, Andrey P. Dmitriev. “To Dear BorFed”: Newly Found Yu.M. Lotman’s Inscripts from the Library of B.F. Egorov
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382 - 397 |