| AUTHOR(S), TITLE |
PAGES |
Literary Theory
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Tatiana G. Chesnokova.
On the Evolution of the Public and the Private in the Genre Structure of Comic Drama: Plautus’ Plot in the Plays by J.F. Regnard and H. Fielding
|
10 - 39 |
|
Petr A. Moiseev.
Russian Detective Studies in the First Half of the 20th Century
|
40 - 69 |
World Literature
|
|
Natalia M. Dolgorukova, Alesya A. Lyubavina.
Semantic and Connotations of the Word “Surplus” in French and Provencal Literature of the 12th Century |
70 - 87 |
Inna G. Matyushina.
Manuscript Variation in “Hervarar Saga ok Heiðreks Konungs” |
88 - 109 |
Andrey V. Golubkov.
Scaligerana: Language as a Plot |
110 - 125 |
Veronika D. Altashina.
Singer of Graces: the Gallant Montesquieu (“The Temple Of Gnidos” and “Journey To Paphos”) |
126 - 145 |
Yulia S. Patronnikova.
Emilio De Marchi’s Novel “The Priest’s Hat”: the Origins of Italian Giallo |
146 - 169 |
Anastasia V. Golubtsova.
“The Myth of Russia” in the Works by Curzio Malaparte |
170 - 183 |
Russian Literature
|
|
Andrey P. Bogdanov.
Power of the Legend: the Tale of Sloven and Rus in Russian Chronicles of the 17th Century |
184 - 201 |
Svetlana A. Borisova.
The Fearful Paradise of “The Life of Basil the Younger” |
202- 215 |
Ivan O. Volkov, Emma M. Zhilyakova.
I.S. Turgenev as a Walter Scott’s Reader (on Turgenev’s Personal Library). Part 1 |
216 - 239 |
Marina D. Kuzmina.
The Motif of Laziness in the Friendly Correspondence of the Young I.V. Kireevsky |
240 - 259 |
Valeria G. Andreeva.
The image of Emperor Alexander I in the epic novel by L.N. Tolstoy “War and Peace” |
260 - 281 |
Svetlana A. Seregina.
S.A. Yesenin and N.V. Pokrovsky: on the History of Studying the Poet’s Reading Circle and his Ideas about Art |
282 - 297 |
Alla A. Nikolaeva.
The Synthesis of Theater and Poetic Art in the S.A. Yesenin’s Dramatic Poem “Pugachev” |
298 - 315 |
Veronika B. Zuseva-Özkan.
Masculine Mask of Female Poetry: Z.N. Gippius and her Successors |
316 - 337 |
Liia L. Ermakova.
“Uncreated Firmament”: Vyach. Ivanov and S. Bulgakov (about a Poem) |
338 - 355 |
Literature of the Peoples of Russia and Neighboring Countries
|
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Yuri M. Tkhagazitov, Lyudmila B. Khavzhokova.
Ali Shogentsukov and the National Literary Process of the 20th Century (to the Axiology of Re-reading) |
356 - 367 |
Folklore Studies
|
|
|
Semen S. Makarov.
Ethnonyms in the Texts of the Yakut Epic
|
368 - 387 |
From the History of Literary and Folklore Studies
|
|
Alla I. Alieva.
Pyotr Karlovich Uslar — the Founder of Caucasian Folklore |
388 - 413 |
Textology. Materials
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|
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Nikolay A. Bogomolov, Vladislava L. Gayduk.
Valery Bryusov. Journal Entries (1891) (Foreword by V.L. Gayduk, Preparation of the Text and Notes by N.A. Bogomolov and V.L. Gayduk)
|
414 - 471 |
|
Konstantin Yu. Burmistrov.
From Old Newspapers: an Unknown Essay by Alexander Kuprin and an Unaccounted Publication of Ivan Shmelev’s Fairy Tale
|
472 - 493 |
|
Tatyana Ye. Smykovskaya.
The Newspaper “Literature and Art of Bamlag” as a Literary Precedent of the GULAG
|
494 - 507 |
Reviews
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|
Kirill A. Chekalov.
“Your Letters are as Cordial as a Friend’s Handshake” (Correspondence between André Gide and Fyodor Rosenberg) |
508 - 519 |
