| AUTHOR(S) |
TITLE |
PAGES |
| |
Literary Theory
|
|
| Alexander A. Yudin |
The Notion of Aesthetic Imperative in the Early Bakhtin |
10-25 |
| |
World Literature
|
|
| Ekaterina P. Zykova |
Evolution of Classicism in the 18 th century and the English novel |
26-45 |
| Tatyana A. Zotova |
Ludwig Tieck‘s Collection “Gedichte”: From a Fragment to an Encyclopedia |
46-63 |
| Maria A. Ostanina, Tatyana P. Shastina |
An English Lady in the “Wild Space” of Siberia (based on
Mrs. L. Atkinson’s Recollections of Tartar Steppes and Their Inhabitants) |
64-81 |
| Natalya A. Kopcha |
“Siberian Possibilities”: German Reception of Dostoevsky |
82-93 |
| Natalia Yu. Kharitonova |
Mysterious China as a Source for Literary Hoaxes: Poetry in the Spanish Literary Magazine Prisma |
94-103 |
| Aleksandra V. Eliseeva |
Child Martyrs in the Pantheon of Totalitarian Cultures (H. Steinhoff’s Film Hitlerjunge Quex) |
104-115 |
| |
Russian Literature
|
|
| Ekaterina E. Dmitrieva |
The Myth of Belovodie, Oponskoe [Japan] Kingdom of the Old Believers, and the Mystery of the Second Volume of Gogol’s Dead Souls |
116-143 |
| Maria S. Akimova |
The Chapel in Turgenev’s Novel On the Eve: History, Literature, Mythology |
144-161 |
| Michiko Komiya |
The Autobiographical Myth in Ju. K. Olesha’s Novel Envy |
162-175 |
| Natalya I. Duzhina |
“A Juvenile Case” — The History of a Story by Andrey Platonov |
176-197 |
| Ruslan T. Saduov |
“I аm an Elephant”: The Use of Metaphor in Contemporary Russian Comics |
198-207 |
| |
Literature of the Peoples of Russia and Neighboring Countries
|
|
| Albina S. Zhuleva |
Mythopoetics of Space in the Novels by Yuri Rytkheu |
208-231 |
| |
Folklore Studies
|
|
| Michel Espagne |
Enlightenment Germany and the Invention of Siberia |
232-253 |
| Svetlana P. Sorokina |
Petrushka in the Theatre for Children in the First Ten Years After the October Revolution (Two Plays by S.I. Marshak) |
254-277 |
| Dmitry Yu. Doronin |
Fire, Flood and War from the East: Cultural Transfer in Altaic Modern Eschatology |
278-303 |
| |
Textology. Materials
|
|
| Natalya I. Reinhold |
Lumières of the English Criticism (Introductory Article). Samuel Johnson. Swift (From The Lives of the Most Eminent English Poets). Translated into Russian, with Notes |
304-354 |
