AUTHOR(S) |
TITLE |
PAGES |
|
Literary Theory
|
|
Alexey A. Kholikov. |
Autobiography vs Photography and Memoir vs Caricature as Forms of Preserving the Author’s Memory (Dmitry S. Merezhkovsky) |
10-21 |
Natalya N. Smirnova. |
Document in Paul Auster’s New York Trilogy |
22-43 |
|
World Literature
|
|
Doudet E. |
Medieval Theater as Medium: a Survey in Media Archaeology |
44-61 |
Pujol S. |
Auctoritas: Auteur et Autorité Chez Diderot |
62-75 |
Natalya T. Pakhsarian. |
The Specificity of the Fictional Space in the Novels of Crébillon-fils |
76-89 |
Elena Yu. Saprykina. |
“Unhappy young man.” A Hero-Sufferer in Italian Romantic Prose |
90-109 |
Elena V. Somova. |
Epicureanism and Christianity in Historical Novels Valerius. A Roman Story by J.G. Lockhart and The Epicurean by T. Moore |
110-131 |
Nina D. Lyakhovskaya. |
New Consciousness and New Genre: A Frankophone African Novel of Transitional Time |
132-149 |
|
Russian Literature
|
|
Vladimir M. Kirillin. |
“The Tale of the Miraculous Icon of Our Lady of Kazan” in the light of Old Russian Literary Tradition |
150-183 |
Liudmila G. Shakirova. |
Romanticism of Lermontov and Jena School. Part 1 |
184-211 |
Ljunggren M. |
Andrey Belyj and Isaiah |
212-219 |
Ekaterina V. Kuznetsova. |
The Poetics of Igor Severyanin and Literary Parody at the Beginning of the 20 th century |
220-243 |
Chandler R. |
Bread for the Soul: Andrey Platonov |
244-267 |
|
Literature of the Peoples of Russia and Neighboring Countries
|
|
Evgeny A. Gorodnitsky. |
The Role of Authorial Self-Reflection in the Development of the New Belarusian Literature (Early 20 th Century) |
268-283 |
|
Folklore Studies
|
|
Tatiana A. Agapkina. |
Tree Symbolism in Slavic Folk Culture: Apple Tree |
284-305 |
|
Textology. Materials
|
|
Marina A. Arias-Vikhil. |
“Russian Revolution was prepared on Capri...” Michail Pervukhin about a Russian Colony on Capri (Based on the A.M. Gorky Archive) |
306-328 |
|
In Memoria
|
|
|
Scholar and Teacher Vladimir Denisovitch Sedelnik (1935–2016)
|
329-331
|